Week 1: Theory Overview and String Set 1
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Introduction (0:09)
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Root Position Major Triad - Closed and Open Voicings (3:08)
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First Inversion Major Triad (1:31)
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Second Inversion Major Triad (1:15)
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Major Triad Inversions on First String Set (Strings 1, 2 and 3) (3:29)
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Think About the Root Notes (0:55)
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F Major Triads (2:43)
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Week 1 Exercise: Major Triad Inversions Explanation (1:03)
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Week 1 Exercise 1: Major Triads Demo (1:39)
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Minor Triad Inversions (3:05)
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BONUS Exercise for Week 1: Minor Triads (1:41)
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Diminished Triad Inversions (1:29)
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Augmented Triad Inversions (2:14)
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Week 1 Exercise 2: All Triads and Inversions (1:29)
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Week 1 Exercise 2: All Triad Shapes Demo (0:36)
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A Useful Augmented Triad Trick (2:23)
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Week 1 Conclusion (0:17)
Week 2: Playing Progressions with the Triad Forms - Key of G Major
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Introduction (0:09)
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I-V Progression (Segment 1 of the Fretboard) (2:34)
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I-V Progression in other Segments of Fretboard (1:43)
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Sus4 Chords - Theory Explanation and Using them in the Progression (4:34)
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Finding the iii Chord From the I Chord (3:41)
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Locating the Other Triads in the Major Key (ii-IV-vi) (2:23)
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A Root Note Scale Pattern in Segment 1 (1:33)
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Week 2 Exercise 1: Chord Scale (Segment 1) (0:57)
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A Root Note Scale Pattern in Segment 2 (2:08)
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Week 2 Exercise 2: Chord Scale (Segment 2) (0:57)
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A Root Note Scale Pattern in Segment 3 (1:12)
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Week 2 Exercise 3: Chord Scale (Segment 3) (0:56)
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Try to Play Through Some of Your Own Progressions Using the Triads (2:12)
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Chord Progression Playthrough (2:44)
Week 3: String Set 2 and Octave Inversions
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Introduction (0:19)
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Octave Inversions (Major Triads) (3:33)
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Week 3: Exercise 1 Major Triad Inversions (1:48)
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Using the Theory to learn the Minor Triad Shapes (4:30)
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Diminished and Augmented Triad Inversions on String Set 2 (2:53)
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Learning the Triad Shapes with a Chord Scale (Key of A major) (3:23)
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Learning different inversions with another Chord Scale (Key of E major) (1:33)
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Week 3 Conclusion (1:02)
Week 4: Learning ALL the Closed Voicing Triads
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Introduction (0:15)
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The Rules (2:48)
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Root Position Major Triads (All String Sets) (1:13)
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Root Position Minor Triads (All String Sets) (0:58)
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Root Position Diminished Triads (All String Sets) (1:02)
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Root Position Augmented Triads (All String Sets) (0:38)
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Week 4 Exercise 1: All Root Position Triads (1:52)
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Week 4 Exercise 1: All Root Position Triads Demo (1:14)
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First Inversion Triads (All String Sets) (2:39)
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Week 4 Exercise 2: All First Inversion Triads (0:19)
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Week 4 Exercise 2: All First Inversion Triads Demo (1:10)
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Second Inversion Triads (All String Sets) (2:28)
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Week 4 Exercise 3: All Second Inversion Triads (1:07)
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Week 4 Exercise 3: All Second Inversion Triads Demo (1:12)
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Week 4 Conclusion (0:36)
Week 5: CAGED Inversions
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Introduction (0:26)
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An overview of CAGED (2:30)
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CAGED Inversions - Root Major (A-Shape into G-Shape) (2:12)
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CAGED Inversions - Root Minor (A-Shape into G-Shape) (1:01)
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CAGED Inversions - Root Diminished and Augmented (1:41)
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Week 5 Exercise 1: CAGED Inversions starting from a Root Position (1:45)
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CAGED Inversions - First Inversion Major (E-Shape) (1:37)
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CAGED Inversions - First Inversion Minor (E-Shape) (0:46)
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CAGED Inversions - First Inversion Diminished and Augmented (1:26)
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Week 5 Exercise 2: CAGED Inversions starting from a First Inversion (1:19)
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CAGED Inversions -Second Inversion Major (C-Shape) (1:32)
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CAGED Inversions -Second Inversion Minor (C-Shape) (0:59)
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CAGED Inversions -Second Inversion Diminished and Augmented (1:02)
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Week 5 Exercise 2: CAGED Inversions starting from a Second Inversion (1:21)
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Week 5 Conclusion (0:34)
Week 6: Essential Intervals - Thirds, Sixths and Tenths
Week 7: Visualising Open Voicing Triads
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Introduction (0:27)
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How to easily create an open voicing grip from the closed voicing triads (2:47)
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Moving open voicings vertically across the string sets (2:42)
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Changing the intervals for the different triad qualities (2:28)
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Open sus chord grips (4:15)
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Moving horizontally through the inversions (2:05)
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Discovering new grips simply by moving notes (3:41)
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Open Triad Chord Scales (3:00)
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A great exercise to visualise open voicing triads using a progression (4:59)
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Open Voicing Exercise Demonstration (1:11)
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Week 7 Conclusion (0:47)
Week 8: Getting More From The Triads - Seventh and Extended Chords
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Introduction (0:12)
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An Overview of Seventh Chords (in case you need it) (5:03)
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Using Triads when playing Major Seventh Chords (4:33)
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Using Triads when playing Dominant Seventh Chords (2:23)
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Using Triads when playing Minor Seventh Chords (2:27)
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Using Triads for m7b5 Chords (AND a summary) (3:51)
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Extended Chords and Triads - The Major Ninth (5:07)
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The Dominant Ninth and Minor Ninth Chords (2:35)
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The Dominant Eleventh Sound (2:25)
The Triad Studies
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1. Can You Be Liked? (0:24)
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Can You Be Liked? Breakdown (2:20)
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2. Weeping (0:32)
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Weeping Breakdown (3:30)
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3. Wild Carriage (0:18)
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Wild Carriage Breakdown (2:27)
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4. Night Time Blues (0:27)
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Night Time Blues Breakdown (3:46)
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5. Hail (On No!) (0:18)
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Hail (Oh No!) Breakdown (3:15)
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6. Raven (0:29)
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Raven Breakdown (3:39)
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7. For Her (0:45)
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For Her Breakdown (4:17)
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8. Neo Soul Train (0:22)
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Neo Soul Train Breakdown (4:21)
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Closing Words (0:48)
